[He holds her gaze, his jaw tight. She knows him, so she'll be able to tell that it isn't anger. It's a tension of emotion, a depth of feeling that threatens to overflow and overtake him.]
No, I'm-- I'm asking, like. Is it that simple? [Which is a bad question, one that doesn't make real sense, so he pushes past it--] I don't know what to do anymore. It's like there's two parts. The cottage, and us, and that life. And then the rest of it. And I don't know how to fit it together. Some part of me lives there, and some part of you does, too, and the rest of us is out in the world. It used to be easier and it isn't any longer. And for a time I was thinking that it was Taviano that was--
Look-- [Changing tacks, he pushes away from the fireplace and crosses back to Yseult, to kneel before her and reach for her hands. On this level he's got to look up into her face.] Tell me about it. What happened. I saw it, but only the end of it. I saw what killed him. But I don't know it.
No, I'm-- I'm asking, like. Is it that simple? [Which is a bad question, one that doesn't make real sense, so he pushes past it--] I don't know what to do anymore. It's like there's two parts. The cottage, and us, and that life. And then the rest of it. And I don't know how to fit it together. Some part of me lives there, and some part of you does, too, and the rest of us is out in the world. It used to be easier and it isn't any longer. And for a time I was thinking that it was Taviano that was--
Look-- [Changing tacks, he pushes away from the fireplace and crosses back to Yseult, to kneel before her and reach for her hands. On this level he's got to look up into her face.] Tell me about it. What happened. I saw it, but only the end of it. I saw what killed him. But I don't know it.
It'll close out that part. It'll close out him.
[His hold on her hands stays the same. Not so tight that she couldn't just shake loose if she wanted to; heavy enough that she feel the weight.]
I was angry. After Llomerryn, I was angry, but all that time I was thinking of you too. With him. What happened to you. I told you, when I first came here. I half thought you were dead. Of everything else that's happened since I first came to be here, and everything that's passed between us, I could call it worth it, 'cos of that first time I saw you. 'Cos of knowing you're alive.
But I want to stop thinking about what I don't know. I want to know so it's done. What happened.
[His hold on her hands stays the same. Not so tight that she couldn't just shake loose if she wanted to; heavy enough that she feel the weight.]
I was angry. After Llomerryn, I was angry, but all that time I was thinking of you too. With him. What happened to you. I told you, when I first came here. I half thought you were dead. Of everything else that's happened since I first came to be here, and everything that's passed between us, I could call it worth it, 'cos of that first time I saw you. 'Cos of knowing you're alive.
But I want to stop thinking about what I don't know. I want to know so it's done. What happened.
[It's different, Darras might insist, this time, hearing it will be different. But he doesn't need to. She starts to talk, and when she's done--]
It's got relevance. Of course it does. Or it did, but it's-- [It is different. Fit together in a way that it wasn't before. What happened, after she slipped out the window of their tavern room; before he was face to face with her in the Gallows tower.] He's gone. Dead. And it's a good thing he is. That's something we'd agree on, you and me and your employers, even. Maybe the first thing.
It's got relevance. Of course it does. Or it did, but it's-- [It is different. Fit together in a way that it wasn't before. What happened, after she slipped out the window of their tavern room; before he was face to face with her in the Gallows tower.] He's gone. Dead. And it's a good thing he is. That's something we'd agree on, you and me and your employers, even. Maybe the first thing.
That's not--
[He sinks back on his heels with a noise of frustration through his teeth. This time, he's the one that lets go of her hand, and he scratches his fingers through his hair again, irritated at the way this has turned beneath him again.]
I do. I hated Taviano in a way I didn't hate the others. I'm glad he's dead. The world is better for it. He was bigger, he was worse-- Y'know, you've never faced up to it, what I told you before. If you killed the others, if their deaths were a righteous act--you still spared me. You stopped me from going to that dinner. You didn't kill me. But I'm with them, aren't I? On paper, in your books, I'm the same.
[He sinks back on his heels with a noise of frustration through his teeth. This time, he's the one that lets go of her hand, and he scratches his fingers through his hair again, irritated at the way this has turned beneath him again.]
I do. I hated Taviano in a way I didn't hate the others. I'm glad he's dead. The world is better for it. He was bigger, he was worse-- Y'know, you've never faced up to it, what I told you before. If you killed the others, if their deaths were a righteous act--you still spared me. You stopped me from going to that dinner. You didn't kill me. But I'm with them, aren't I? On paper, in your books, I'm the same.
No. It can't be. Because if it came down to it, if I was on a list--not Taviano's list, but another--if it was my name, that was given to you.
[Still on his knees, he spreads his hands at his sides. Open, unarmed. A sort of prostration.]
Would you kill me, then?
[Still on his knees, he spreads his hands at his sides. Open, unarmed. A sort of prostration.]
Would you kill me, then?
Because you don't make sense!
[Near an explosion, the way it falls. Darras hauls himself to his feet so he can pace away again, back toward the fireplace--and then around again, back toward her. Like a caged lion, pacing.]
You tell me one thing, and then you send me away. You say you want something and you say you're begging me and-- You're begging me? What about me, begging you?
All I've ever wanted, was you. Haven't I given it all up? You've not asked, where the Fancy is. Now, is that 'cos you know, 'cos you've got spies on it, or 'cos you don't want to be thinking about it. You want me, [doggedly, now, pressing on,] to be what I'm not. You want me to be you, or close enough to you that you can stomach it. I'm not. I won't ever be. We're the same, we came from places so similar it's like we were written in a story, but you went one way and I went another. And you love me. You do. You love who I am, what I am, and you tell me that you don't, and you want me to believe it. But you fell in love with me just as I did you, 'cos it was without all the rest of it. That's what I know to be true. That's why I was still here, three months ago, seven, five-- And it's not enough. You think I'm not seeing, but you're not seeing, either.
So you'd not kill me. What d'you do if I leave?
[Near an explosion, the way it falls. Darras hauls himself to his feet so he can pace away again, back toward the fireplace--and then around again, back toward her. Like a caged lion, pacing.]
You tell me one thing, and then you send me away. You say you want something and you say you're begging me and-- You're begging me? What about me, begging you?
All I've ever wanted, was you. Haven't I given it all up? You've not asked, where the Fancy is. Now, is that 'cos you know, 'cos you've got spies on it, or 'cos you don't want to be thinking about it. You want me, [doggedly, now, pressing on,] to be what I'm not. You want me to be you, or close enough to you that you can stomach it. I'm not. I won't ever be. We're the same, we came from places so similar it's like we were written in a story, but you went one way and I went another. And you love me. You do. You love who I am, what I am, and you tell me that you don't, and you want me to believe it. But you fell in love with me just as I did you, 'cos it was without all the rest of it. That's what I know to be true. That's why I was still here, three months ago, seven, five-- And it's not enough. You think I'm not seeing, but you're not seeing, either.
So you'd not kill me. What d'you do if I leave?
[His look is wounded, first, a clear plain flash that passes over his face and is then gone, replaced by something darker, angrier. The lines of his body tense. He's still stood across the room from her, but the argument fills the space in between them, and the thick blunt wall of his anger.
She only has to endure it a moment. Just a wave of it, and then it cuts off when he turns to go for the door, wrench it open so he can step out into the hall.]
She only has to endure it a moment. Just a wave of it, and then it cuts off when he turns to go for the door, wrench it open so he can step out into the hall.]
The Provost acts in his own interest. To the extent that the Inquisition has afforded him power, he has taken it; to play at the Chantry, the same.
This is not to say the point ill made. What have you been told of the reasons for establishing this Outpost?
This is not to say the point ill made. What have you been told of the reasons for establishing this Outpost?
Edited 2019-04-26 15:41 (UTC)
We cannot. But we might ask what they have done already. Our attachment to Skyhold has done nothing to bring them to heel -- concessions pacify only those content to follow. Those have never been our problem, but they will balk for the force necessary to solve it with permanence.
We have tried an anchor and found it ineffective. Instead Skyhold is funding pet causes at cost. Those may be steered more effectively when Kirkwall imagines itself free to; if they are not, the Inquisition has at least stopped chasing a fucking rabbit.
We have tried an anchor and found it ineffective. Instead Skyhold is funding pet causes at cost. Those may be steered more effectively when Kirkwall imagines itself free to; if they are not, the Inquisition has at least stopped chasing a fucking rabbit.
Skyhold should have refused funding before this. What has it stopped? Still we fell towers, sow chaos, loan ourselves to thieves. There is never reprisal, and I cannot muster one alone.
I do not know that we may salvage Kirkwall, Scoutmaster. I do know that we can blunt the damage to the Inquisition in doing so.
Edited 2019-04-26 16:50 (UTC)
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